pen and ink

All posts tagged pen and ink

Kickstarter: The Final Three Days

Published September 28, 2016 by baileyquillincooper

The Kickstarter campaign for Kris & Krampus Kringle has come a looong way since I last posted! It seemed like we were at 70/80-something percent funded for a good while, and then this past Friday it really hit the fan. Over the course of the day the campaign got five new new backers in addition to two adjusted increased pledges, and shot past 100% funded! When I last checked this morning it was at $2,910 or 116% funded because the goal was only for $2,500! I’ve had so many fears and self-conscious doubts along the way that I’m still kind of in shock with how well it’s been doing, and there’s still three days left to go until time’s up!

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With all of the additional funding I am hoping to order a slightly larger first run of books from Bookbaby. That way I’ll have enough for all of the backers who have reserved their copies first, and some left to bring to the local indie bookstores and libraries here in Portland on consignment or donation. I want to see if the same library on Belmont where we hold our monthly Children’s Book Authors and Illustrators Meetup group would be willing to take one off my hands.

Some pictures I posted on Instagram featuring the custom Krampus button sets that my husband Martyn is making as rewards for the backers. In case you didn’t know, he runs his own button company out of our house called Power Pop Pins, and his buttons kind of rule!

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Close up so you can better see the designs on the smaller vintage Krampus buttons. I’ve always found Victorian Krampus Christmas cards, or Krampuskarten, to be simultaneously beautiful and hilarious!

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On Saturday Martyn and I spoke with four different independent comic and book shops that had an interest in stocking my book during the holidays (and a few that might even let me read my story to some kids!) One is a children’s book store on Alberta Street called Green Bean Books, and the other three were all on Mississippi Avenue–Bridge City Comics, Another Read Through, and Reading Frenzy. I also hope to speak with Floating World Comics sometime soon and possibly some people at Powell’s Books. The Fernie Brae on Hawthorne is my favorite place of all of these, and they’ve always been there to cheer me on as I worked on my book. It’s going to be the biggest honor of all to see my book on the shelf in their little bookshop this Christmas right next to their various signed Brian Froud books!

Another photo I had posted of all of the buttons pinned to my stocking. I really didn’t want to have to look at any of the Christmas stuff in the garage at this time of the year, but I figured that I should share because it was kind of a clever gift-giving idea that Martyn thought of last Christmas when he made me some special “I don’t like Star Wars” buttons as presents.

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Beyond my daily annoying posts about Kickstarter on the Official Kris & Krampus Kringle Facebook page and my working double shifts at both jobs multiple days in a row to save up some extra cash for an upcoming big purchase, I haven’t had a lot of time for much else. I did get a very brief start on the illustration for my own Krampuskarten that I’m making as part of the backers rewards packages. They’re going to be based off of this vintage Christmas card of St. Nicholas and Krampus on a motorcycle:

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Only my version is going to be of my own characters when they were reckless teenagers. This was the pencil sketch:

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Here’s it with some of the inking done, but as you can see I haven’t quite finished with that step yet:

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If you’ve been following me on Facebook I apologize that I don’t really have any new visual material to share with you. Thankfully this weekend I might get a few seconds of free time so I can finally bust this one out and post it again when it’s all finished! Overnight Prints did such an amazing job with my last professional artist postcards that I can’t wait to see how they turn out!

In case you haven’t seen them, these are my professional artist postcards. Overnight Prints printed them with a beautiful soft matte finish that really lends itself to my style.

Postcard Front and Back

So anyway, that’s it for now. I CANNOT WAIT for this campaign to finally be over and done with, it has been more hard work and headache than I ever could have imagined, but I’m forever grateful that it’s already funded so I can stop stressing about it so much. I’ll post on here again after it ends!

Beyond The Bramble: Advance Reader’s Copy Cover Art

Published August 2, 2016 by baileyquillincooper

Since the last time I wrote on here I have been working on two very different projects, so I figured that it would make the most sense to just write two separate posts. You can expect the second post to show up sometime early in this week, so keep checking! The first project that I did over the past two weeks was the cover art for my friend Sarah Marie Bacavis’s children’s fantasy adventure book, Beyond The Bramble. I probably mentioned before that this was just the cover for the Advance Reader’s Copy; that first run that she will be sending to her early readers to get some feedback before she starts shopping the book to any literary agents or publishers. At a later date I will be designing a more detailed cover that will be used for the final print when it is ready for submission. During the second half of of July I started designing some of the characters from her story to use in the artwork, which was mostly what my last blog post was about. After I got the go-ahead on the character sketches, I began to sketch out a layout for the cover. I used her original sketch as my main source of reference.

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Also, this picture of her actual dachshund, Annette.

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I changed the layout of the cover a bit, and I made sure to incorporate “Advanced Reader’s Copy” into the design. Here is what I came up with:

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I made sure to leave plenty of “bleed zone” this time, because now that I’ve learned so much about the online printing process through my own book (much to my husband and layout artist Martyn’s chagrin), I now know that most printers require a bleed area about as wide as my wrist on all sides. Sarah really liked the sketch, but later decided that the word “Advanced” should actually be “Advance.” Luckily, I hadn’t inked it yet at that point, so this was a very easy fix.

Here’s some point during the inking process:

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Here’s the inking completed:

Beyond The Bramble Advance Reader LineworkAt some point while I was inking this, I washed my hands and got some soapy water trapped under my big scary Medusa biker ring. I discovered this as I was drawing some perfectly clean little detail lines with a micron pen when SUDDENLY EVERYTHING WAS ALL WET AND SMUDGING MY INK EVERYWHERE!!! Not to be melodramatic or anything, because in the long run this is never too big of a problem. Minor smudges like the ones you can see around the goblin Wilden’s right ear and hat always seem to disappear once I add the many layers of overlying color. Still, I really hate it when that happens and I need to remember to not wear any clunky jewelry while I’m working!

To prove how not a big deal that smudge was though, here’s what the drawing looked like after color:

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Since the final design will be a cropped version of this image minus all the bleed zone on the outside, here is how I imagine it will probably look on the cover of the book:

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Or something like that. Sarah seemed really psyched about the finished cover art and recently ordered the first run of books from Lulu. I can’t wait to see how they come out!

So yeah, more about that other project in my next post!

 

Beyond The Bramble: Character Design

Published July 18, 2016 by baileyquillincooper

A good friend of mine, Sarah Marie Bacavis, has also written a children’s book called Beyond The Bramble.

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It’s a middle grade short novel (not a picture book) that is best classified as a children’s fantasy adventure story. The book is now nearing completion and is currently in a similar stage of production as mine; getting the first reader/first print copies made so she can get some feedback and send her book out to some literary agencies. The story is about an imaginative girl who goes with her dachshund puppy Annette to visit her grandparents, only to discover a hidden world inside of the overgrown bramble in their backyard. The book is also about, you guessed it, goblins!

To simplify things, the three main reasons why Sarah and I are friends in the first place are Glam Rock, goblins, and the internet. We both fairly active with our Deviantart accounts back in 2008/2009, and we sort of found each other through our artwork and our extreme affinity for this somewhat odd combination of subjects. Some major influences of ours included David Bowie, Marc Bolan, Alice Cooper, Cuddly Toys, Brian Froud (well all three of the Frouds, actually), Jim Henson, The Dark Crystal, The Labyrinth, and The NeverEnding Story. We later discovered that we had even more of the same influences in common that we had just never bothered to mention before. Maybe we’re just like one of those creative matches made in heaven, like Henson and Oz. Either way, it’s always a pretty amazing thing to chance meet a creative who is from your very same “planet.”

When Sarah asked me if I could help her with designing the characters from her book and then illustrating the cover art, I was more than happy to help. She already had drawn that idea for the cover and some sketches of three of the characters from the story. We decided that I would first help design the characters, and then do some more basic cover artwork for the first read copy. The first read copies will be be going to the printer very soon, so for time’s sake and to differentiate the first read edition from the more finalized text, we are going to go with a more simplified design for now.

So far I have completed the designs all three characters. First we have her sketches of a goblin named Sim Sala Pim, “but Pim is plenty.”

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Here’s my pencil drawing:

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Inked:

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Colored:

Pim Design

Then we have her drawings of another goblin called Wilden.

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Here is my final design for Wilden (because I guess I forgot to take more work-in-progress pics again!)

Wilden Design

And last we have Coragrinn The Finder, a very scowly, grouchy, and somewhat pretentious junk collector goblin who spends most of his time digging through dirty garages.

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Coragrinn was by far the most difficult character to design. I actually had a feeling that he might be, so I ended up tackling this one first. The reason he was so difficult was probably because he has such a strong personality and needed to have a scowl that was just right. Sarah also had the most trouble envisioning this one and left her drawings very open to interpretation. I took a long while playing around with the shape of his face before I ever got started on the final design.

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As you can see from my sketches, I had pretty much decided from the beginning that he needed to have short, lopsided bangs and some very deep frown lines. I also decided that I liked him better with a taller forehead and a longer face, because it somehow made him look more intellectual but also a lot grumpier. Putting all of the things that I liked about the different face designs together, I then came up with this:

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Here is is all colored in (and yes, that is my sneaker!)

Coragrinn Design

That’s the design that I first ended up sending to Sarah. She loved his scowly face, and she said that he reminded her a little of Rabbit from Winnie The Pooh crossed with the Gallagher brothers of Oasis (a disturbing yet hilariously apt observation!) The term “Squidwardian” was also tossed around a bit when designing this guy. Ultimately the only major changes that Sarah wanted to make to this first design was to darken the coloration on his muzzle and feel to make him look even grungier, and to give him longer, gnarlier toes with claws more similar to those of a kangaroo. Since I am an old school traditional artist, a correction as minor as that just takes a little bit of creativity:

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Presto!

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After his “pedicure” was complete, I got the final approval from Sarah that he was at last “the perfect grouchy filthy hoarder” that she hoped he would be!

So that’s all I’ve got for the character designs. Next I will start work on the illustration for the first read cover, and I’ll be sure to post more about it in my next one!

 

 

Bertha Illustration Coloring

Published July 5, 2016 by baileyquillincooper

Hope y’all had a happy ‘Merica Day! I finished up that illustration of Bertha on Sunday night, so here’s some final work in progress pictures I took of the coloring process as well as the final piece.

First, here’s where I left off in my last post after I was all done with the inking:

Bertha Linework

Then I started blocking in some color with my trusty Prismacolor markers.

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Added some more layers of color.

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Even more layers still, scribbling some dark navy blue shadows into the leaves for that extra richness and depth.

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I honestly didn’t take that many photos. Whoops. Here it is pretty much finished on my art desk.

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Here’s the final scan.

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I probably mentioned this in my last post, but the reason I made this illustration was for some promotional postcards that I plan to get printed from overnightprints.com to send along with the snail mail submissions of my children’s book. I just dropped off the files for my book at Office Depot yesterday to get the first round of five dummies printed for the publishers, which should be finished by the end of this week. I can’t wait to see them! For the back of the postcards I will most likely be using the same old world fairytale font style as we did in “Kris & Krampus Kringle”; perhaps with a spot illustration of some toadstool mushrooms for an extra little accent. I might try and figure out that part out tonight. Till then, be safe, and watch out for any remaining patriotic explosions!

 

Work in Progress: Bertha Illustration

Published June 29, 2016 by baileyquillincooper

I wrote in my last post about a new character that I designed recently, Bertha:

Bertha Design

She is based off of a pagan winter goddess/witch from Alpine folklore, Perchta or Berchta (also mentioned in my last post.) There’s just something about her that I really like. She’s both beautiful and dangerous, with a false air of innocence that you would totally understand if only you got to know her a little.

Last week I started an illustration of Bertha knitting under a wild rose bush tunnel in the woods. When it’s finished I’m going to use the image for promotional postcards, which I plan to send to publishers and agents along with my contact info and dummy book/manuscript. Here’s the pencil drawing:

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Here’s the line work after I finished inking it last night:

Bertha Linework

That’s all I have so far. Now it’s at the “personalized coloring book” stage that’s so much fun to come home to. After I celebrate my 30th birthday on the 30th, I will start with the coloring and be sure to post some more in-progress pictures as I go!

 

Lucia Illustration Colored

Published May 19, 2016 by baileyquillincooper

Just as a quick follow up from my last post, here is that illustration of Lucia colored and finished. Now I’ve just gotta save all of my portfolio images and hope for the best when I go to get them printed. Wish me luck!

Lucia Color

 

 

A Bad Day & Dessert Foods

Published April 5, 2016 by baileyquillincooper

I’ve had a really rotten day. I took my dog Grendel to the vet for what I thought would just be a routine checkup and shots update and found out that he’s not only got a nasty ear infection, but also a fractured molar. In the corrupt world of animal vet care that translates to a little over $1,4000 and countless future hours of pain and suffering for all. I would know, because about six months after we adopted our three legged dog back in 2012 and acquired our very first credit card debt as newlyweds by moving into our first rental home, we discovered that Grendel had an infected canine tooth that had been cracked up the back (possibly from the same accident that had taken his leg) and had to shell out a similarly obscene amount of money that we didn’t have and of course lots of pain and suffering…so let’s just say that I know this story pretty well by now. But you know, that’s ok, it’s not like my husband and I were already scraping together every last penny to buy our first house this year as we struggle to get our careers out of the corporate retail gutter and onto the right track at last. Oh wait!

But enough of my problems. Here’s some more anthropomorphic dessert foods that I made for work. Maybe they will cheer you up if your day was as rotten as mine. I also got to work on my book this week for a few seconds, but I will share more of that once I get those illustrations scanned.

Let’s review. The Macarons:

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Comedy and Tragedy Popsicles:

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Mochi Dudes, based off of the food mascots on the package:

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Sublime Ice Cream Cookie Sandwich; just the line work:

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Ice Cream Cookie Monster with color:

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Work in progress group photo:

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Joe-Joe’s Toucan, eating a Joe-Joe’s Cookies n’ Cream Ice Cream cone…which is probably not too safe for toucan consumption:

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Lemon Meringue Roger Klotz Pie, Chocolate Ganache Cake, and Baby Mini Pie Medley family; just the line work:

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Second verse same as the first, only now in color:

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Erupting Chocolate Lava Cake:

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Another group photo:

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A final group photo of them all on the front of the freezer case, joining some of the previous characters and lettering that was on there before:

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And that is it for the anthropomorphic dessert foods. Sorry that this just of a rehash from my Instagram and Facebook posts. Since today kinda sucked, I figured that this would still be better than nothing.

 

 

 

 

My Three Jobs

Published March 23, 2016 by baileyquillincooper

So I was just going to do another illustration in progress post when I realized that I also have a few cool work in progress photos from my other two jobs. The week before last was the release of the March Fearless Flyer at Trader Joe’s. I usually have very little emotional attachment for the artwork I create at T.J.’s because it’s often so strictly regulated, overdone, and such a long shot from any of the subjects that I would willingly choose to illustrate. Also, due to the frequent impossible time restraints I sometimes either have to crank out something of substandard quality that I would never bother to post here or anywhere else, cut out lots of artwork and original ideas entirely, or just finish the Flyer artwork a week after the Flyer has already landed. This past week was the latter but at least it afforded me enough extra time to actually make some things that I could be proud of.

March is the Spring Flyer so I wanted to make some kind of visual reference to blooming flowers. St. Patrick’s Day and Easter are both this month so I also wanted to sneak in some clover and pastel, Spring-y colors. The boss wanted us to include this Victorian clip art dude from the front page of the Flyer.

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I don’t know why he is a goose-stepping scuba diver with riding pants or what that has to do with springtime…maybe a reference to a certain song from The Producers? Whatever this dude’s problem is, I did my very best to incorporate him into the seasonal theme on the template I made for all of the Flyer shelf signs.

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I redrew him in that same black and white woodcut style and colored in the rest of the template in an attempt to create that whole colorizing effect they used in Wizard of Oz and Pleasantville…like he’s bringing back color and life to the landscape with his scuba diving riding wizard staff. For some reason, something about this seems very post-apocalyptic to me.

Later I also designed a big sign of the same weird dude to hang in the entrance of the store. Here’s my thumbnail sketch:

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Here’s what the final sign ended up looking like. You probably can’t tell from the photo but the guy is somewhat 3-D and pops out from the background.

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Then, as if I hadn’t drawn that stupid guy enough, I also made a chalkboard sign for the entrance of the store. This time I only drew his helmet to mix it up a bit and suggest that maybe he eventually perished in said post-apocalyptic world and was returned to nature.

March to Value Chalkboard

Today I was working on a thumbnail sketch for my next big sign project. It was requested that I just make a giant garlic clove to point to the often overlooked crushed garlic in the frozen section. This will be interesting. So far I’ve drawn a Victorian garlic clove hot air balloon since this company really loves its nonsensical Victorian clip art. I might even donate one of the plastic garlic cloves that I have at home in my craft supplies to use as part of the anchor. Yes, I do have a bag full of plastic garlic cloves at home. You really can find anything at SCRAP PDX.

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After my last shift of the week at Trader Joe’s on Friday I went over to the Vine Gogh painting studio in Sellwood so that Paul could teach me the painting I would be teaching on Sunday. In case you didn’t realize, my second job is teaching part-time as an art instructor.

A little backstory: After six years of working five days/forty hours a week at Trader Joe’s while I struggled to complete my own artwork and serious portfolio stuff on the side, I had a major mental and psychical burnout. I came to the realization that I no longer saw T.J.’s as my desired long-term career, but as just a job to pay the bills and keep me afloat as I work hard on becoming who I actually wanted to be when I grow up. To this day I am still struggling to work all of that out, but my decision to cut back at T.J.’s from five days a week to four days a week at the end of last year has so far proven to be one of the best that I have ever made. At first I was terrified of the pay cut and of the possibility of losing our health insurance, so I made sure that I still worked the minimum 30 hours required to qualify for insurance each week and I found a second job to use as my financial safety net. I had never really thought of teaching art before I started teaching at Vine Gogh–but as it turns out, not only am I really good at it, but I also really love doing it. It’s a pretty fulfilling feeling when someone over the age of 60 tells you that they have never painted before in their entire life and that you have just taught them something that they wish they had known all along…and given them enough confidence in themselves to finally give it a try. After my class on Sunday a woman slipped me an extra twenty buck tip and personally thanked me for being such a big help. I’m pretty sure that I have never gotten that kind of appreciation at my day job before!

I teach these painting classes at art studios in Sellwood and in Tigard. Each class is only about three hours long, so whenever I teach on the weekend I usually still have the rest of that day to work on my own artwork. Both studios have a bar, so people will attend the classes as a social outing, order drinks, and then create a painting as I break it down for them step by step, Bob Ross style. Right now they’re building a second studio right next door to the one in Tigard called Vincent’s Loft. It’s going to have turn of the century, steampunk kinda decor and offer classes other than the usual acrylic paintings on canvas. We’ve been throwing around ideas of me teaching illustration classes, cartooning and caricature, other mediums like watercolor, colored pencil, and pen and ink, and even polymer clay sculpture. I can’t wait to see how it’s all going to turn out…it’s just really nice to have something to look forward to again!

The work in progress pictures I have from the painting classes actually aren’t of me or my painting. I just took these photos of Paul in action when he was teaching me one of his own paintings on a small canvas so that I could teach it on Sunday. I guess you could say that they’re more like my notes than anything, but it’s cool to see how he busted this quickie version of it out in like ten minutes.

This is the painting that he was teaching me, Mountain Lake:

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Here’s him working in the same sequence that I later used to teach this painting.

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Note: This is the point where, when I was teaching this painting, everyone took a drink break and let the background dry.

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Additional Note: That highlight on the mountains is a total Bob Ross palette knife technique that we modified for an acrylic paint brush. This is probably the most Bob Ross painting I’ve taught so far.

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Happy trees.

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That’s it! Seriously, this whole thing only took him about ten minutes. It took me just under three hours to teach it (on bigger canvases than this, though.)

So Vine Gogh has been a very good thing for me so far. Although a second job generally means more work, I feel that it has actually allowed me more time to work on my third, last, and most important “job” that I have–making my children’s book. I really have been treating this more like a job than ever lately because that is what I want this to eventually become. I no longer want to be stuck in this place where I have to rely on doing something that I find boring for the majority of my time in order to make a living, and as a result am forced to treat my own artwork and true passions as just a cute hobby whenever I can get to them. I’ve devoted most of my life up to this point to becoming a serious working artist with my art as my main profession, so I’m still just doing whatever I can to shift things around until I can finally feel like I have achieved that goal. It’s been a very interesting ride so far.

Here’s some few work in progress photos from my latest pages.

The pencil drawing. This photo is cropped oddly but you can see about where the center fold of the book would be (it’s going to be a double page spread.)

Hug Pencil

Inked over the pencil:

Hug Inked with Pencil

Pencil lines erased:

Hug Pencil Erased

I hope to either finish the coloring on this tonight or come really dang close to it. I will then have pages 30-31 out of 32 completed! After that I will only have the cover, title page, and dedication page art left to go (and formatting all the text…but at least I will have some help with that part!) Yup. Takin’ names.