Vine Gogh

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It’s Been Forever

Published March 30, 2017 by baileyquillincooper

It’s been forever. It’s honestly been so long that I kind of don’t even want to bother going into everything that’s happened to me since November. I’ve also been so stressed out over the past couple of months that I hardly even remember any of it. So here’s the extremely condensed version, in bullet points.

  • We bought a house. It’s our very first one, it looks like a fairytale cottage, and it is perfect.
  • Immediately after moving into the new house in early December, we got slammed with four freak blizzards that hit not even a week apart from each other. Well really, it was more like four and a half. After Portland Snowpocalypse IV in January 2017, which was the biggest and the baddest of them all and gave us an entire foot of snow overnight, we also got hit with a final ice storm just for good measure.
  • The flurry of the holidays came and went, and as promised my book was released on Amazon on Krampusnacht, December 5th, 2016. Between prolonged moving drama, DIY home improvements, blizzards, blizzard-related car troubles, fulfilling mountains of Kickstarter rewards for my books campaign, and a minor concussion from slipping on the ice and cracking my head on our new front steps, we somehow still managed to throw our first Yule housewarming party at our house, and I somehow still managed to have that book release party at The Fernie Brae. Toby Froud even came to the party to buy a signed copy for his son, Sebastian. It was truly unreal!
  • I also got to participate in my first tabling event for my book, the Eyeball Burp Zine East Portland Holiday Bazaar at the Jade/APANO Multicultural Space. It was the first year of this particular event and was a lot of fun despite all of the stressful things we were going through at the time. I really hope to do it again this year, as well as a lot of other events like it (since I should presumably have a lot more time for this kind of thing the second time around.) My book has been for sale at The Fernie Brae and Vine Gogh, the painting studio where I teach classes, but the next time around I hope to have more time to market it to all the indie bookshops like I had originally planned. Honestly with the way everything went down at the end of last year, I was super lucky to have even accomplished all that I did, so I really can’t complain!
  • Just as soon as we thought things were finally starting to calm down a little in February, Grendel squeezed through a gap in our fenced front yard to chase after another dog, was hit by a truck right in front of our house, and then ran away. We were both home when it happened but neither of us had actually seen the accident occur. I was inside of the house and Martyn was outside with Grendel when it happened. Martyn was just around the side of the yard taking out the trash when he looked up to see Grendel tearing down the street at an unnatural pace. Although Martyn is a really fast runner, Grendel was completely terrified and running so fast that none of us could catch him, and we soon lost sight of where he had gone. There was a good hour when we couldn’t find him, even with the help of the man in the truck who had hit him, a random bystander on a bicycle, Martyn in my Beetle and me on foot calling his name everywhere around the park and the neighborhood. Luckily the man on the bike happened to see Grendel run into the yard of a neighbor who lives on the other side of the park. The woman who lives there and the man on the bike discovered Grendel hiding behind a shed in her garden. Grendel then went to the emergency vet where it was determined that he had no broken bones or serious injuries, only some significant bruising and all his nails worn down to the quick from running so frantically. It took many difficult nights of doggie painkillers, assisting him in lying down and standing up, and dealing with an obvious bout of PTSD, but eventually, he recovered.
  • In March we got zapped big time on our taxes due to a silly error on a W-4, celebrated St. Paddy’s Day with our friends regardless, and then Martyn found out that he was being laid off from his job at the magazine. This was of course in many ways completely terrifying for us, but we were also both in many ways ready for a major change. When we found out that Martyn would be losing his job in two weeks, we just tried our best to stay calm and view it as another blessing in disguise. Martyn put together a gorgeous illustrated resume and went door to door searching for anywhere that would take him. He was hired at a local pub a week later, where we both suspect that he will actually be much happier. His orientation was yesterday and he will probably be starting his training next week.
  • The latest incident has been Grendel tearing up our house while we’re gone for the past couple of days. We’re not exactly sure what the issue is, but it’s all pretty extreme and out of nowhere. The latest unusual theory involves my old phone that Martyn had decided to keep for himself and use just for Spotify. A few days ago it apparently “woke up” on its own while inside of a drawer, and proceeded to sound off alert bings and buzzes for every text message that had been received on the current phone all year. Martyn realized that this could possibly be the cause of Grendel’s sudden and unexplained freak-outs when he was home with Grendel today, heard the old phone in the drawer buzz and his own phone bing with a Facebook notification, and observed Grendel waking from a deep sleep to start panting, drooling, growling, and trying to look out the window to determine where the sounds were coming from. We really hope that we might have solved it this time, but we’ve bought him another crate just in case. Unfortunately even that won’t fix our shattered blinds or all of the other damage he caused…but this is just another big expense and stressful situation that we have no choice but to get through.
  • And lastly, through ALL of this, I have just been all the more determined to continue creating in my new art room and to wrap up some projects that have been taking me much longer than I had originally anticipated. My idea to create posable mixed-media art dolls of all three of the characters from my book is well underway. I actually just finished up Mama Kringle over the past weekend and plan on taking some quality, non-Instagram photos of her this weekend.
  • I also was still able to attend the Toby Froud and Wendy Froud workshop at The Fernie Brae over the past weekend. It was a completely amazing experience that I still can’t stop thinking about it. We created polymer clay and mixed-media bust sculptures of faerie creatures over the two-day workshop. Everyone’s pieces turned out to be so beautiful and so different from each other that the group photos were really something to behold. I was pretty proud of my own piece, which was a creepy Spring pooka who I have decided to name Padraig. I will also be posting some photos of him after the weekend.

So there you have it, that has pretty much been my life over the past few months. If you follow me on Facebook or Instagram all of this might have been extremely redundant, but I just felt that I needed to get the crazy catching-up post out of the way before I could return to my regular work-in-progress entries. I promise that my next post will have actual work-in-progress photos of Mama Kringle, and I actually remembered to take many of them this time! Until then, farewell, and thank you all so much for your continued understanding and encouragement. Getting all of this out has been a major relief!

Also, here are some photos of our new house for the sake of having some photos in this post!

Redfin photo:

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The day we got the keys:

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Grendel’s first day at our new home:

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Our house after the first couple of snowstorms:

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Our house during Portland Snowpocalypse IV:

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I need to get some Spring pictures now that the snow has finally thawed and the flowers are starting to bloom.

Oh, and here’s two last bonus photos from the book release party at The Fernie Brae!

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I’m Back/Recap 1: Illustration Portfolio

Published June 22, 2016 by baileyquillincooper

Dang, it’s been a whole month since I last posted! Although I don’t have any particularly earth-shattering progress to share this time, I will make this one a two-parter just to cover the amount of time that’s passed since my last entry. I believe that I left off right before I went to the SCBWI Spring Conference in Wilsonville, Oregon. Up until that point I was scrambling to get my first test dummy book printed and my portfolio and up to snuff for the juried art show that I had signed up for at the conference, and also for my portfolio review with Kevan Attebery. I chose Kevan to be my reviewer because he’s a Seattle illustrator that primarily draws monsters. He also invented Clippy, that annoying paperclip dude from Microsoft Word! I thought that was pretty cool. Kevan was very supportive of my work and gave me a really thoughtful and useful critique, and he was also an all-around nice guy.

The conference itself was cool and pretty informative, although I do kind of wish it had been more geared towards children’s books and children’s book illustration…well, specifically picture books. Something that I guess I knew but never really thought about before is that the children’s book publishing world also includes novels and young adult books. It seemed to me like LOT of the panels at the conference were more helpful to authors, especially YA authors writing coming of age type stories, historical fiction/fantasy, and teen romance. It was kind of neat to hear about how the publishing process from different perspectives, but I do hope that next year there will be more offered in the realm of picture books. Since there will be multiple smaller conferences instead of one big one next time, it’s probably also within the realm of possibility.

Anyway, here’s my illustration portfolio as you see it now on my website. It’s pretty much the same as I had printed for my physical portfolio but with maybe two-three extra pieces. They were very strict about the number of pieces you included at the conference, so I was pretty ruthless with what I chucked out!

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Business Card Whole

Kris & Krampus Front Cover

Mama Kringle PortraitKris Kringle Portrait

Krampus Kringle Portrait

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Searching for Krampus Blog.jpg

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Witches Castle Watercolor.jpg

Attack Of The Fearless Flyer

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Lucia Drawing

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At the conference I got the strongest reactions to the portrait of Mama Kringle, the four paneled illustration of Kris Kringle looking for Krampus in the snow, and the illustration of Lucia in the meadow. I still want to chuck a few of the older ones out and replace them with some illustrations that I have not yet finished or even started, so you’ll have that to look forward to.

I also met some really cool people at the conference, namely a fellow children’s book illustrator named Brittany Harris. Martyn and I started talking to her at the after party, and then we all decided that the party was a little too stuffy (and also over) so we decided to check out the crazy Blues band playing at the Holiday Inn bar and play some pool…badly! We were all so awful that we even had an old man wearing American flag shorts heckling us. It was hilarious, and so much fun that it made the day that much more worth it.

Brittany told us that she lived in Ashland but was about to move to Montana because her husband Josh just got a sweet new job. Ashland was one of those “places to visit in Oregon on my bucket list” so we vowed to visit them before they left…and we did! The weekend after the conference some friends of ours from Colorado were visiting Portland (Chris and Sarah Bacavis; love those guys!) We spent that weekend showing them around town, and then the weekend after that we took a day trip to Ashland to see Brittany and Josh. We had so much fun bar hopping, seeing the sights, and then dealing with our hangovers the following day by eating delicious breakfast food and floating in a scenic lake next to an old cemetery. It’s a shame that they’re moving away, but I think that we really made a lasting friendship through this conference thing so I’ve gotta give it credit for that!

So yeah, the past couple of weeks have been pretty much been spent having fun with friends, cooking out with the neighbors in the yard, celebrating everyone’s birthday (Martyn’s 29th just happened on the 14th and my 30th is coming up quick on the 30th), and celebrating the Midsummer Solstice. Work is pretty much the same as usual, with the occasional flying salad monster.

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Meanwhile, Vine Gogh is working hard as ever to open the new Tigard studio with a bang. In the not-so-distant future I’m gonna be teaching some “Twisted Tuesday” classes where we’ll get to do all the weird, fun, and more experimental art projects! Jenny wants me to come up with some new fairy-themed paintings, and she also loves my ideas to teach some watercolor and polymer clay/mixed media sculpture classes. I’m really looking forward to seeing where all of this is going just around the corner!

Well sorry if this has been just another boring recap post, but since so much time has escaped me since my last one I just felt that it was necessary. In my next post I promise that I’ll dive right into the new art stuff that I’ve been working on in all this time!

 

 

 

A Portrait of Lucia and the Witches Castle

Published May 5, 2016 by baileyquillincooper

Martyn and I went to the coast over the weekend to celebrate our “ten-iversary” because we have now been an official couple for ten years since May 1st/Beltane! Here’s the only picture I have from our first date on Tybee Island Beach in Savannah one decade ago:

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What a weirdo…and what was with that shirt, anyway?!

Our “ten-iversary” trip to the coast was only one night away but it was still so nice to have some real time off from everything and recharge our mental batteries. Plus we got to stay at the Sou’wester, a lodge/campground on Long Beach that has restored vintage RVs for rent…and it was sooo cool! But anyway, before we left for our trip I finished up a drawing that I had had made for an art swap event that a friend of mine had invited me to on Saturday night. The event ended up being cancelled but at least I ended up with a nice pencil study of Lucia, the albino faun character that I made at the Toby Froud rod puppet workshop (see my previous posts.) I think I might even use this as a portfolio piece when I go to the SCBWI Spring Conference at the end of this month.

Lucia Drawing

I used two shades of deep red pencil and a white pencil on rose toned paper. I was going for the look of a classic Leonardo da Vinci pencil study but something about it makes me think of a vintage beauty add instead. Either way, I ended up really liking this one and it has inspired me to perhaps make some similar work in the future.

So ever since we got back from our mini vacation on Monday night it’s been back to business. I’m supposed to meet with Jenny at Vine Gogh on Thursday night to learn a new painting so I figured I would get some of my ideas for future classes together to discuss with her while I’m at it. I’ve heard that the new studio in Tigard may even be open for business by the middle of this month so it’s about time I get crackin’ on this stuff! Last night I worked on my idea for what could be our first watercolor class, or at least that I am aware of. I flipped through all of the reference photos I took on Easter Sunday of the Witches Castle in Forest Park and landed on these three favorites:

Witches Castle Composition

Witches Castle Color

Witches Castle Alternate

I combined what I liked about the first and second picture and came up with this:

Witches Castle Watercolor

The painting is a little large–well about 11″ x 15″, which is a little big for your classic watercolor nature study but the same size as the illustrations I did for my children’s book because I just used the same paper. I’m not sure what size we’re most likely to use at Vine Gogh for the watercolor classes so I just stuck with what I had already. This painting took me around three hours from start to finish…which is WAY too long! The classes that I teach can last up to three hours, but I want to eventually come up with a painting that I know so well that I could paint it in just one hour if I had to. This first time around just took me a while because I was essentially teaching it to myself; remembering each step to the best of my ability and deciding on the best order to paint each layer when I have to someday teach it to somebody else. I also took a few progress pictures while I was working on it to help me figure out a nice sane step-by-step for next time.

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And here is the final painting once again:

Witches Castle WatercolorSo yeah, I’ve still got to work on simplifying the whole thing into a few easy and defined steps but I’ve got a feeling that it will probably just come naturally to me when I paint this a second time. In analyzing my own work and trying to expedite the process, I expect a natural abstraction/simplification is bound to occur…well here’s to hoping!

I might later try doing another painting based on my third photo of the Witches Castle, the one that was taken from this alternate angle:

Witches Castle Alternate

I personally love that picture, especially with the little pink flower bud in the extreme foreground, but I wonder if it might be a little too complicated for a beginning painter. If I decide that it is I guess I could still use it as reference for my own work in the future. We shall see.

In addition to all of this I’ve got a few more ideas for watercolor painting classes AND some ideas for polymer clay sculpture classes. I’m gonna be working through all of them in the nearish future, so just be sure to stay tuned as always!

 

My Three Jobs

Published March 23, 2016 by baileyquillincooper

So I was just going to do another illustration in progress post when I realized that I also have a few cool work in progress photos from my other two jobs. The week before last was the release of the March Fearless Flyer at Trader Joe’s. I usually have very little emotional attachment for the artwork I create at T.J.’s because it’s often so strictly regulated, overdone, and such a long shot from any of the subjects that I would willingly choose to illustrate. Also, due to the frequent impossible time restraints I sometimes either have to crank out something of substandard quality that I would never bother to post here or anywhere else, cut out lots of artwork and original ideas entirely, or just finish the Flyer artwork a week after the Flyer has already landed. This past week was the latter but at least it afforded me enough extra time to actually make some things that I could be proud of.

March is the Spring Flyer so I wanted to make some kind of visual reference to blooming flowers. St. Patrick’s Day and Easter are both this month so I also wanted to sneak in some clover and pastel, Spring-y colors. The boss wanted us to include this Victorian clip art dude from the front page of the Flyer.

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I don’t know why he is a goose-stepping scuba diver with riding pants or what that has to do with springtime…maybe a reference to a certain song from The Producers? Whatever this dude’s problem is, I did my very best to incorporate him into the seasonal theme on the template I made for all of the Flyer shelf signs.

March Flier '16

I redrew him in that same black and white woodcut style and colored in the rest of the template in an attempt to create that whole colorizing effect they used in Wizard of Oz and Pleasantville…like he’s bringing back color and life to the landscape with his scuba diving riding wizard staff. For some reason, something about this seems very post-apocalyptic to me.

Later I also designed a big sign of the same weird dude to hang in the entrance of the store. Here’s my thumbnail sketch:

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Here’s what the final sign ended up looking like. You probably can’t tell from the photo but the guy is somewhat 3-D and pops out from the background.

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Then, as if I hadn’t drawn that stupid guy enough, I also made a chalkboard sign for the entrance of the store. This time I only drew his helmet to mix it up a bit and suggest that maybe he eventually perished in said post-apocalyptic world and was returned to nature.

March to Value Chalkboard

Today I was working on a thumbnail sketch for my next big sign project. It was requested that I just make a giant garlic clove to point to the often overlooked crushed garlic in the frozen section. This will be interesting. So far I’ve drawn a Victorian garlic clove hot air balloon since this company really loves its nonsensical Victorian clip art. I might even donate one of the plastic garlic cloves that I have at home in my craft supplies to use as part of the anchor. Yes, I do have a bag full of plastic garlic cloves at home. You really can find anything at SCRAP PDX.

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After my last shift of the week at Trader Joe’s on Friday I went over to the Vine Gogh painting studio in Sellwood so that Paul could teach me the painting I would be teaching on Sunday. In case you didn’t realize, my second job is teaching part-time as an art instructor.

A little backstory: After six years of working five days/forty hours a week at Trader Joe’s while I struggled to complete my own artwork and serious portfolio stuff on the side, I had a major mental and psychical burnout. I came to the realization that I no longer saw T.J.’s as my desired long-term career, but as just a job to pay the bills and keep me afloat as I work hard on becoming who I actually wanted to be when I grow up. To this day I am still struggling to work all of that out, but my decision to cut back at T.J.’s from five days a week to four days a week at the end of last year has so far proven to be one of the best that I have ever made. At first I was terrified of the pay cut and of the possibility of losing our health insurance, so I made sure that I still worked the minimum 30 hours required to qualify for insurance each week and I found a second job to use as my financial safety net. I had never really thought of teaching art before I started teaching at Vine Gogh–but as it turns out, not only am I really good at it, but I also really love doing it. It’s a pretty fulfilling feeling when someone over the age of 60 tells you that they have never painted before in their entire life and that you have just taught them something that they wish they had known all along…and given them enough confidence in themselves to finally give it a try. After my class on Sunday a woman slipped me an extra twenty buck tip and personally thanked me for being such a big help. I’m pretty sure that I have never gotten that kind of appreciation at my day job before!

I teach these painting classes at art studios in Sellwood and in Tigard. Each class is only about three hours long, so whenever I teach on the weekend I usually still have the rest of that day to work on my own artwork. Both studios have a bar, so people will attend the classes as a social outing, order drinks, and then create a painting as I break it down for them step by step, Bob Ross style. Right now they’re building a second studio right next door to the one in Tigard called Vincent’s Loft. It’s going to have turn of the century, steampunk kinda decor and offer classes other than the usual acrylic paintings on canvas. We’ve been throwing around ideas of me teaching illustration classes, cartooning and caricature, other mediums like watercolor, colored pencil, and pen and ink, and even polymer clay sculpture. I can’t wait to see how it’s all going to turn out…it’s just really nice to have something to look forward to again!

The work in progress pictures I have from the painting classes actually aren’t of me or my painting. I just took these photos of Paul in action when he was teaching me one of his own paintings on a small canvas so that I could teach it on Sunday. I guess you could say that they’re more like my notes than anything, but it’s cool to see how he busted this quickie version of it out in like ten minutes.

This is the painting that he was teaching me, Mountain Lake:

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Here’s him working in the same sequence that I later used to teach this painting.

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Note: This is the point where, when I was teaching this painting, everyone took a drink break and let the background dry.

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Additional Note: That highlight on the mountains is a total Bob Ross palette knife technique that we modified for an acrylic paint brush. This is probably the most Bob Ross painting I’ve taught so far.

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Happy trees.

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That’s it! Seriously, this whole thing only took him about ten minutes. It took me just under three hours to teach it (on bigger canvases than this, though.)

So Vine Gogh has been a very good thing for me so far. Although a second job generally means more work, I feel that it has actually allowed me more time to work on my third, last, and most important “job” that I have–making my children’s book. I really have been treating this more like a job than ever lately because that is what I want this to eventually become. I no longer want to be stuck in this place where I have to rely on doing something that I find boring for the majority of my time in order to make a living, and as a result am forced to treat my own artwork and true passions as just a cute hobby whenever I can get to them. I’ve devoted most of my life up to this point to becoming a serious working artist with my art as my main profession, so I’m still just doing whatever I can to shift things around until I can finally feel like I have achieved that goal. It’s been a very interesting ride so far.

Here’s some few work in progress photos from my latest pages.

The pencil drawing. This photo is cropped oddly but you can see about where the center fold of the book would be (it’s going to be a double page spread.)

Hug Pencil

Inked over the pencil:

Hug Inked with Pencil

Pencil lines erased:

Hug Pencil Erased

I hope to either finish the coloring on this tonight or come really dang close to it. I will then have pages 30-31 out of 32 completed! After that I will only have the cover, title page, and dedication page art left to go (and formatting all the text…but at least I will have some help with that part!) Yup. Takin’ names.

 

 

More Book Progress and Upcoming Excitments

Published February 28, 2016 by baileyquillincooper

It’s been a couple weeks since I last posted and a lot of things have happened. I want to get back into my one post a week routine, so this one is just going to be a fairly brief written summary with mostly photo explantations in an attempt to catch up.

So what have I been up to? Making new friends:

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Photo taken on Valentine’s Day at Lovecraft Bar during my husband Martyn’s Glam Rock D.J. night, Whips and Furs. In the picture is Mike Wilcox, our new friend who we met at the Bowie Sendoff at in Pioneer Courthouse Square, and Monika Wolf, another new friend who we met that very night. She ended up becoming our official stagehand and backup dancer. Well, more like the best dancer in the whole joint who got a lot of other people to get up and dance by the end of the night.

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She’s a lot of fun, and perhaps a little accident prone.

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We still to this day have no idea how she cut her hand and got blood all over the place. She still made the most of it, I suppose.

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Whips and Furs was such a success that Martyn is now on the permanent roster for the Lovecraft event calendar, so his Glam night is now going to become a monthly event!

What else have I been up to? Saw a couple of movies–The VVitch and Deadpool in the same weekend. Was so pleasantly surprised by both, and both were so refreshing for the overblown, overdone genres that they represent. The VVitch was hands down the best and most visually inspiring straight horror film that I have seen in a very long time. As a former strange child who spent a good portion of her middle school years in the library poring over every book on the Salem Witch Trials, The Occult, and American Folklore that was available to me, I can also give my full endorsement that the director got everything so right and as accurate as possible!

I also was finally given the opportunity to finish up a few more long-awaited projects for Trader Joe’s. Behold the belated frozen chocolate banana slices sign for Chinese New Year, Year of the Monkey, based off of some traditional Chinese paper cutout decorations that I had researched:

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He looks particularly cool whenever the light shines though him.

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Also at long last I finished the last permanent illustration for the backs of the new chalkboard endcaps. The King, trapped behind the soulless and terrifying brown paper mask of Trader Joe:

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Here’s a close up shot:

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And here it is pictured next to the endcap back that I finished before it, more monkey art coincidentally:

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I got the idea to draw an Elvis chalkboard because I had already had to do this very same private label end cap concept a few years ago at my old store back in Atlanta. The last board I designed for the subject matter was Andy Warhol’s Marilyn Monroe:

Andy Warhol Endcap

I was proud of how that one turned out, even though it was a little tedious hand drawing the same face twice in a row. Anyway I didn’t really know to follow that one so I figured, what else goes with Marilyn? Oh yeah, Elvis. Sometimes when your job is to literally make the same boring things over and over again you’ve just got to find new ways to entertain yourself.

Speaking of which, yesterday I had to make a sign for Shaved Brussels Sprouts so this is what I came up with:

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The funny thing is that’s like the fourth time I’ve drawn that anthropomorphic Brussels Sprout. I guess he’s kind of a reoccurring character.

Fixins

Virgil Collage

While I was doing all this other stuff I’ve still been teaching my painting classes at Vine Gogh and making progress on my children’s book. The new Vine Gogh Tigard studio, Vincent’s Loft, is still a work in progress as they finish up the last few details of the construction, but it should be finished very, very, soon. Once that’s done I’m going to be able to start designing my own classes. I work in a lot of other mediums besides just acrylic painting, so it looks like I’m gonna be the one to come up with some of the crazier and more experimental classes…stuff that nobody else is teaching at any other artist bar type places right now. I think I can see classes in illustration, cartooning and caricature, and polymer clay/mixed media sculpture in my near future!

As for my book, I’ve been just plugging away at the illustrations in an attempt to put it all together and get an initial first test copy printed by the end of May. The reason for that particular timing is because that is when I will be attending the annual SCBWI Oregon Spring Conference, Between the Pages, and I would like to have something a little more polished and comprehensive than a super rough dummy book to show potential publishers and agents. I plan to use crowd funding to self-publish the book regardless, but just in case any traditional publishers are interested I’d like to present something nice for them to look at. If nothing else, maybe an attractive debut piece might catch the eye of an agent that would want to work with me on other freelance illustration projects in the future. I’d really love for either of those things to happen and I know that the best thing I can do is to just work hard, go to these events, and keep trying!

So here’s a couple of work-in-progress photos I snapped of page number 27 of 32…the pencil sketch:

Pencil Drawing

The inked line drawing:

Inked

My dog Grendel yawning and being bored as I try my best to ignore him and get some more work done at my art desk:

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Grendel and Miss Loon, The Black Babies. They somehow can make doing what I love very difficult.

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I have to make myself a super nutritious lunch to break their power over me…

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Fishcakes, fishcakes, roly poly fishcakes…

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…And back to work. Sometimes my coloring process somewhat resembles a printing press, with all of one color at once and then so on. Here it is with just red.

Reds

Then I started adding all the green.

Greens

I’ve done a lot more to it since that last photo…it’s not quite finished yet, but as soon as I get another minute to myself over the weekend I’ll have it knocked out in no time. I’ll post more pictures of my progress very soon, and I definitely won’t wait so long this time!

The last little bit of upcoming excitement that I will mention before heading off to bed tonight is that over the past week I was able to sign up for a now sold out Toby Froud rod puppet Workshop at The Fernie Brae in April!!! Some of Toby’s past creations to give you an idea of the kind of work he does:

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The Frouds have been my number one artistic inspiration ever since I discovered my very first Faerie book in middle school. I can collectively credit Brian’s paintings, illustrations, and concept art, Wendy’s dolls and puppets, and their son Toby’s puppets, short films, and current work with Laika Studios for teaching me how to layer colors together, how to make flat two-dimensional paints appear to glow, how to draw and sculpt fantasy characters that still somehow tell the truth and appear believable, how to sculpt professional art dolls in polymer clay, and how to make the seemingly impossible dream of handcrafting puppets and movie magic akin to the Jim Henson fantasy film heyday in today’s time possible. Probably some other stuff too that I can’t even think about right now. Just know that going to this Toby Froud workshop is not only a dream come true and a big deal for me, but should also prove to be very important and inspiring for my future career. I’ll be sure to post more about that, as well as some other very potentially exciting news, very soon when I feel that the time is right. Until then…goodnight!